Loose, free, colourful, impressionistic – thats how I love to paint landscapes. Using the Impressionistic approach I’ll use my hand, my brush, a colour to put my own personal interpretation of the subject into the paintings. I enjoy bold colour applied with confidence, something that looks like I was having fun! I really don’t […]
Early mornings and late afternoons are the ideal times to capture the serenity of nature whether I’m painting or taking photos. The tranquil setting along with the soft edges and cool lavenders create the perfect relaxing mood in the photo “Serenity.” Water is always a great subject for portraying calmness, especially using cool colours. If […]
Limiting my watercolour palette to cerulean, indigo and a hint of cobalt violet helps to keep the colours clean. The watercolour landscape with trees and foliage reflecting into the water combined with the cool colours creates serenity and calm. I wanted to maintain a good balanced ratio of light tone, mid tone, dark tone throughout […]
Prussian Blue, a deep midnight black blue. Pairing it with cobalt teal blue is sheer paradise. It packs a punch when used in mass tone, it is so dark and powerful. Prussian Blue pb27 is one of my staple blues for color mixing, especially for foliage. The closest I can get to mixing a […]
Daniel Smith watercolors… they make it so difficult not to play! And I’ve been playing and discovering new things with D.S. paints for over 25 years now. Whilst teaching my experimental Daniel Smith watercolor demos and workshops at their Seattle and Bellevue stores, a friend who was on staff there, chuckled abit at my out […]
This morning’s sunlight on the white satin orchids and the fuchsia pink was just too tempting to resist. A few nice photos captured the morning light before it vanished! Later this afternoon the watercolour paints will come out and we’ll be using the cool orchid palette as springboards to our day’s paintings at Atwell Gallery […]
Creating the illusion of depth on a flat surface can be challenging for beginners at first, Especially in greens. But with some simple tips and regular practice, it does get easier in just a few weeks! In the photographs I’ve taken, they show various aspects of depth in greens. Have a look at each, try […]
The 5 watercolour techniques I enjoy using to create texture in my paintings: Dry brush, splatter, plastic wrap, moulding paste and granulating pigments on a rough surface paper. Terracotta Pot mainly is created from French Ultramarine with Burnt Sienna applied wet onto a very Rough surfaced paper to get the dimpling textural effect. French Ultramarine […]
Acrylics with impasto and gel mediums create superb contrasts of rough and smooth, peaks and valleys that I find quite beautiful and useful in many landscape and abstract paintings. This type of texture works great for tree bark, building walls, hills, ocean waves, even certain flowers lend well to this approach. I mixed the acrylics […]
Colour, Tone and Texture play important roles in my art making processes. I want my Art to evoke a heartfelt response both within myself and the viewer. Using texture, tone and colour seem to work best for me to achieve that. Choosing subjects that are personal, those that I love and wish to tell a […]